Author: Site Editor Publish Time: 15-03-2024 Origin: Site
When industrial designers design perfume bottles, they tend to treat the perfume bottle as a single product to be designed independently. But in fact, a good perfume bottle design should be more combined with the perfume together, because the bottle is just the carrier, the perfume is the real protagonist! So every quality perfume, although not without a unique perfume bottle design, but in fact, the perfume bottle is for the perfume service, it is based on the qualities of the perfume, plus a variety of perfume factors designed from. The perfume bottle contains the perfume concept is the essence of the perfume bottle design.
Here is the list of contents
The design sense of perfume bottles
The sense of the age of a perfume bottle
The sense of technology in perfume bottles
The origin of the perfume bottle
Decoration of Perfume bottles
Materials of Perfume bottles
Nowadays, perfume bottle designs are becoming more and more artistic, with crystal clear bottles resembling a piece of exquisite glass bottles. For some collectors, the smell of the fragrance takes a back seat to the glossy look that attracts people at first sight. So what are the elements that make up a perfume bottle design? The essential basics of perfume bottle design are styling. The shape of perfume bottles has become quite rich today. In addition to the square, round, heart-shaped, crescent-shaped, conical, inverted trapezoid, and other shapes that can be described, there are many shapes that are too odd to be described in words. Color. Perfume bottles are unusually rich in color, generally light colors, especially light lemon yellow, that is because lemon yellow and most perfume color is a good match, and can give a sense of freshness and cleanliness.
The sense of the age of a perfume bottle
. Generally speaking the earlier the perfume bottle is produced the more collectible and appreciative it is. Such as the Lalique style glass perfume bottles from the first century BC; amethyst bottles from 50 to 150 AD; blown glass jars from the first century AD, etc. From them, you can experience the true "long-lasting fragrance".
Now more and more perfume bottle packaging designs use a simple, abstract expression method so that the whole perfume gives a simple, modern feeling while using a variety of high-tech elements. Such as the recently launched "Jennifer Lopez vibrant women's perfume", its shape is unique, when you will be held it high, in the sunlight and quickly rotating to enjoy, you will be surprised to see the seven-color beam of light flashing on the bottle, the bottle embossed ribbons of color twisting and dancing, a violet metal ring is a counterpoint to the perfume logo.
Perfume bottles of different origins record different customs and folklore, and you can feel the different cultural atmosphere. The world's oldest perfume, found in Cyprus, is simply and unpretentiously contained in a small, unassuming earthenware bottle, while the exotic Madame Butterfly series perfume bottle is more beautiful and faintly reveals the mysterious atmosphere of the ancient East.
Exquisite and elegantly decorated perfume bottles play a decisive role in attracting a woman's visual attention. The surface of the carved flowers, the wonderful floral cap, some also decorated with a hand-bound bow, so that the visual art of the perfume bottle and the olfactory art of perfume have the same value of appreciation.
The modern perfume bottle manufacturing industry was developed along with the glass and crystal manufacturing industry. Therefore, glass and crystal are the main raw materials for the modern perfume bottle design. In addition, porcelain and enamel are also often used as raw materials for perfume bottles. Of course, the overall effect is also related to the shape, color, and decoration.
The perfume bottle itself is a beautiful craft, carefully recording the story behind the perfume. It is like perfume at all times cloaked in the coat, the clothing is good or bad directly affects your first impression of the perfume.
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